We got together on New Year’s Day and looked back at all our Pagan shenanigans in 2018. We also looked at our current practice, and shared what we are looking forward to in 2019. Some of us almost fell asleep. Everybody drank a lot of tea.
Music this episode was Little Red One by William Elm, from the album Between The Dawn and the Day.
Hosts this episode: Josephine Winter, Mark Hills from Dancing Hare Grove, Ryan McLeod from Queer Pagan Men Australia and Witches of Oz, and Sarah Morgan and Seumas from The Pagan Collective of Victoria’s Monthly Hills Pagan Coffee Meets.
We discussed these Pagan gatherings, groups and initiatives this episode:
- Combined Covens (Western Australia)
- Dancing Hare Grove (Victoria)
- Hot for Joe Morris (South Australia)
- Mount Franklin Pagan Gathering (Victoria)
- Oak, Smash and Thorn Pagan Morris (Victoria)
- Silver Birch Grove ADF (Victoria)
- Sovereigns of the Golden Path (Victoria)
- Spiral Dance (South Australia)
- The Australian Wiccan Conference (we will be hosting this in Victoria in 2019!)
- The English Ale (South Australia)
- The Monthly Hills Pagan Coffee Meets (Victoria)
- The Pagan Collective of Victoria (Victoria)
…and here is a list of the books we talked about:
- The Bast novels by Rosemary Edghill
- Traditional Wicca: A Seeker’s Guide by Thorn Mooney
- The Path of Paganism: An Experience-Based Guide to Pagan Practice by John Beckett
- The Chronicles of the One trilogy by Nora Roberts
- A Discovery of Witches by Deborah Harkness
- Daughter of Smoke and Bone by Laini Taylor
- Take Three Girls by Simmone Howell, Cath Crowley and Fiona Wood
- Blood Song and the Raven’s Shadow series by Anthony Ryan
- The Kingkiller Chronicle and The Slow Regard of Silent Things by Patrick Rothfuss
(Click on the episode cover image to listen!)
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This month we’re joined by Sarah Morgan of the Belgrave Pagan Hillsmeets as we wrap up our bumper review of Thorn Mooney’s Traditional Wicca: A Seeker’s Guide, discussing covens, outer courts, initiations and more! Our featured song this month is by those gods of Pagan rock, Spiral Dance.
(Click on the episode cover image to listen!)
Psst! Support the Pagan Collective of Victoria on Patreon and get early access to episodes along with bonus Pagan Pyjama Party content…
Blast off! We begin our review of Thorn Mooney’s Traditional Wicca: A Seeker’s Guide, using it as an anchor for discussions on covens, initiation, lineage and hierarchy within a Traditional Wiccan framework along the way. This episode also includes spiffy music from Matt Chapman.
(Click on the episode cover image to listen!)
Psst! Support the Pagan Collective of Victoria on Patreon and get early access to episodes along with bonus Pagan Pyjama Party content…
If it’s a break you are wanting from all of the stress of life, then I can recommend a lovely little book called Sophia’s Secret, by Susanna Kearsley (2008). Classified as ‘historical romance’, it takes you back to the 1708 attempt by Jacobite loyalists to bring James Stewart over from France to Scotland to rule as their king. Most of the characters are based on real people and the research, as far as I can tell, has been impeccably done. Yet it’s a light read, based on the premise that ‘ancestral memory’ persists through our DNA. As soon as I finished this book I wanted to read more by this author and have ordered her latest book ‘A Desperate Fortune’, which is another Jacobite intrigue.
This book follows the tale of the family of the chieftains children.
Set in Ireland the main character is Lord Collum’s youngest child and only daughter Sorcha through her trials, to do right, help her family and her people.
This is a beautifully written tale and can be read as a stand alone or in conjunction with other books that follow on from this.
Juliet Marillier is an Australian author who crafts a magical world and weaves her words skillfully. I cannot recommend this book enough.
Apart from Capall Bann books my other guilty pleasure is historical murder mysteries. Don’t ask me why they’re so comforting – actually really don’t ask; I can’t afford the therapy in case the answer isn’t nice. But the thing is, they are, and when I’m frazzled by life, I’ll pull something off the stack of “historical slaughter stories I found in the opshop”, and wallow in it. This is one such find.
As it turns out, “Peter Tremayne” is the nom-de-plume of Peter Berresford Ellis, whose book on The Druids I like immensely, so I approached this with more optimism than usual. Hemlock at Vespers is a collection of short stories featuring Tremayne’s main protagonist, Sister Fidelma, a 7thC religieuse and dalaigh, or advocate of the ancient law courts of Ireland. Sister Fidelma is beautiful, with sparkling eyes and amazing red hair, wise, intelligent, quick-witted, adept at almost everything, and holds a rank in her profession second only to the ollamhs who may sit as equals with the High King. We are reminded of this several times in every short story, in case we forget how utterly incredible Sister Fidelma really is. Men underestimate her. Constantly, because she is a woman; but she just smiles mysteriously, and pulls rank and/or amazes them into silence. Despite all of this, as a Mary Sue she’s not too unpalatable, and Tremayne’s historical knowledge goes a long way to making his bite-sized mysteries rather enjoyable. I’m oddly curious to see how a whole novel might read, once the character doesn’t have to be reintroduced in all her improbable glory every five minutes, so Tremayne’s eight other Fidelma novels have gone on the opshop wish list, and if I get lucky I may inflict the results on you here. I really do recommend his Druid book, though; it’s a corker.
This beautiful book of poetry written by the wonderful Doreen is a heartwarming, spinetingling collection of tales and imagery penned across the course of her life.
It is broken into four sections, each dedicated to a season and named after one of her most famous pieces of prose it is well worth a read.
With a variety of themes and topics, Valiente transports us briefly to another world with her words, painting us worlds of beauty, wonder and danger.
Definitely worth the read. I will be reading this again and again, it was worth every dollar.
To be fair I actually haven’t finished this one yet, because I’ve had precious little time for reading this month, and, well, you’re here for the book review and don’t need to hear my whining. Anyway; I haven’t finished this; here is a review of one-third of a book so far. I picked it up from a local bookshop and nearly didn’t because it has a tacky cover (standing stones, check; cauldron with a pentagram on it, check; broom-fer-chrissakes, check; weirdly-photoshopped smoke and fire, check; athame and chalice possibly taken from a 1990s computer game, check), but when I was but a wee bairn, a fairy laid a geas on me that I have to buy every single book published by Capall Bann or I would never get any cake*, so I did.
Actually it’s very, very good. It transpires, in themed coincidence (see my fiction review this month) that “Gwyn” is the pseudonym of Michael Howard of The Cauldron magazine, and as one might expect from him, it’s an excellent book filled with folklore (some of which I hadn’t come across before), history, and traditional craft, tied together into one of the very best, (if not the best; I’m only partway through) paradigms of Modern Traditional Witchcraft I have read so far. Gwyn explores witch-lore throughout the British Isles and Europe, and even America, as well as describing a cohesive mythos for practice, spellwork, tool use, ritual, etc. I’m very much looking forward to the rest of this. It deserves a nicer cover. So far it gets a glowing recommendation from me. Just probably don’t read it on public transport if you care what people think.
*that may be a complete lie to justify my reading habits.
Hunker down by the fire with us and check out the bookish winter warmers we’ve been enjoying this month.
What has this book got to do with Paganism? Nothing, really, and everything.
Because our Real Lives inform our relationship with our divinities, and vice versa, and because understanding ourselves is a key part of growth, both spiritual and temporal. Because everyday, practical wisdom is the heart of witchcraft. And because our understanding of gender is at the heart of every aspect of our culture; for those of us who include both goddesses and gods in our personal or traditional pantheons, engaging with ideas of gender which have been inherited from earlier mythologies, is part of our understanding of our gods, our culture, and ourselves.
I’ve been a pagan, mixing with pagan folk for about 30 years, and our culture can be extraordinarily problematic sometimes; binary gender ideas, and a tendency to romanticise old-to-ancient cultural gender tropes, has led to some of the less pleasant and more challenging moments for me in the pagan scene, and so I do unreservedly recommend books on culture and gender in the ‘secular’ world to all pagans, irrespective of how you feel about feminism.
If you’re already on board with this, then read this book (if you haven’t already). It’s engaging, clear, passionate, deeply relatable, well-informed, and sometimes very funny. You may, like I did, see yourself in Ford’s journey, and find yourself understood, encouraged, and validated by her words.
If you don’t think this book is for you because you don’t approve of feminism, or just don’t care, or think it’s going to be a politically-correct buzzkill, then you should probably read this book. It’s not going to be as bad as you think, because Ford, despite her reputation in the dingier corners of the internet (you know, the corners full of fedoras and neckbeards and people who thought Gamergate was actually about ethics in game journalism), doesn’t hate men, has a lot of compassion, and makes a lot of sense. All the men I know who have actually read this book really liked it. I’ll take this opportunity to also unreservedly recommend Cordelia Fine’s excellent “Delusions of Gender”, which is an absolutely kickarse primer in how gender is socially constructed, and also happens to be a marvellously engaging read.
The book is a collection of essays, interviews and articles from non-theistic pagans exploring the different aspects of being a godless pagan. The book is diverse, thought provoking and often quiet inspiring. The writers explore topics as diverse as scientific paganism, emotional pantheism, faith in the earth, non-liiteral deities, non-theistic pagans in history and most importantly, the godless pagan’s place in the broader pagan community.
It’s Winter. What that means in a practical sense is that I make a lot of tea and soup, and sit by the heater at night reading cosy books about English Paganism to kid myself that Winter is actually a necessary part of the wheel of the year, and not personally out to get me and make my life a misery. As far as coping mechanisms go, it’s a relatively harmless one and I make pretty good soup. And I end up with a lot of my bookshelf real estate occupied by Capall Bann publications like this one. Now you know my weakness; if I ever go on a mad rampage, you can throw a random Capall Bann title down in front of me and I shall be pacified.
So yeah, this book. It’s quirky, and charming, and surprisingly salty, despite its “Oprah’s Book Club” style cover (no one would mistake this for, say, a Three Hands Press or Troy publication). Like, really quite salty, in a “oh no she didn’t” sort of fashion. Here are a few examples, from the “Types of Pagans” chapter:
“For every ounce of hereditary witch, you can have several pounds of pretend ones. The pretend ones are much better at it than the real ones who do not tend to be half so impressive.”
“[The Hedge Witch] is one of those ancient phenomena that has cropped up recently…”
“It used to be really hard to be a shaman. You needed to talk with spirits and to have travelled in their realms, rather too closely for most people’s comfort. It is a lot easier now… The shaman’s staff tends to be covered in feathers, beads, rabbit bones and if they are really into it a goat skull that a mate of theirs found in an antique shop in Clapham.
Unfortunately most shamans are not shamans. I am reliably informed that real shamans work with spirits and aim to help people in the community.”
“The Faery Tradition: Members of this group are characterised by the inability to spell the word “fairy”.”
“Their gods are the Norse gods, who they claim are not really chauvinistic.”
“Druids are different from Wiccans. I do not know how, because I have never managed to get one to make sense yet.
It takes years to become a Druid and I guess I just cannot find one who is old enough to ask. One told me that it involved him growing his hair and wearing a leather thong round his neck while another said he had not finished the course yet.”
And so on, you get the idea. It’s illustrated throughout with drawings by the author; enjoy the one below. I warmed to her wry sense of humour, even when her observant wit was turned on my sort. Further along, Day turns her pen towards matters of practical witchcraft and spirituality, and, with a conversational, down to earth, and humorous wisdom, she covers these very effectively. This is staying on the bookshelf (not heading down for a trade at my local second-hand joint), and while it’s not a comprehensive “how-to”, like, say Buckland’s, it’s got the spirit of how-to nailed down fairly nicely. And it goes jolly well with soup and tea.
Well researched with a healthy reference section and glossary, this is a useful and accessible handbook for ecclectic pagans with a beginner’s interest in astronomy to further their practice.
Although someone Northern-hemisphere centric, it’s packed with useful information, diagrams and interesting little tidbits of history and lore. Lighthearted and easy reading, a great start for anyone looking for an introduction to the utility of learning the night sky.
This book while slightly older (published in 1968) is still quite useful. It delves into the historical evidence in Europe to help gain insights into the Druids. His observations on the human psyche and the romanticised notions about Druids that have sprung up with little basis in empirical evidence are interesting and somewhat illuminating. He consults literary sources such as the writings of Julius Caesar to help bring the observations of outsiders to bear and understand how this aligns with archaeological finds. Throughout the book, his main goal is factual information, not idealised notions. Although there have been new digs found in the years since this book was written and new theories have emerged this is still a valuable source of information, well researched and presented. The writing style is clear, concise and accessible. Well worth a look.
In this sequel to Captive Prince, which I reviewed last month, former prince Damen travels with prince Laurent to the borders of his former homeland. While I found the first book a little slow-moving, I really enjoyed the complexities of the political intrigue and alliances in this second book. Damen is drawn closer and closer to dangerous, calculating Laurent but the secrets of both men muddy the waters and complicate things almost to breaking point. Both characters become far less two-dimensional as we learn more about their pasts. This book is probably not for everyone but it’s a healthy dose of well-written, homegrown queer fantasy. Bonus points if you risk the audiobook version, read by a particularly pervy-sounding American.
Book Review: The Daylight Gate by Jeanette Winterson
Reviewed by Sarah Morgan
“You cannot walk here and feel you are alone. Those who are born here are branded by Pendle. They share a common mark. There is still a tradition, or a superstition, that a girl-child born in Pendle Forest should be twice baptised; once in church and once in a black pool at the foot of the hill. The hill will know her then. She will be its trophy and its sacrifice. She must make her peace with her birthright, whatever that means.”
So begins Jeanette Winterson’s novella about the Lancashire Witch Trials of 1612.
Winterson, whose interest in the occult and Elizabethan magic has been a recurring theme throughout her career, wrote this story for the 400th anniversary of the trials, and blends well-researched history with local legend and her trademark poetical magic realism to weave a tale that includes not only the Pendle Witches and their accusers, but also John Dee, Edward Kelley and William Shakespeare. She explores the religious and sexual politics of the age, as well as the personal disputes that background the trials, and weaves those seamlessly with the high magic and folk magic of Elizabethan England; the pursuit of immortality and the perfected soul through the scientific magic of Alchemy, and the use of wortlore and cunning-magic to solve practical rural problems, through healing or harming. Winterson has done her research well, and captures the essence of these, finding a place where they meet without contradiction; the witch-trials become the Daylight Gate of the title – a liminal space between worlds, linking not only High and Low magic, but also a population caught between two Christianities, between the twin blasphemies of “witchery and popery”, between piety and superstition, love and fear, salvation and redemption, between fear of the Devil and old folk traditions, the restrictions of wealth and of poverty.
At this crossroads, history is written.
And she tells a compelling story in the process; Winterson brings 17thC Lancashire to life in all five senses, delighting in language without holding up the tale, and sacrificing neither magic nor realism in the telling. This is a brutally-real world in which magic exists. Teeth rain from the sky, a severed head talks. A background in the history of the Pendle Witches isn’t required, but those who have one can appreciate the historical accuracy and poetic license – and readers with an interest in Alchemy or pre-Gardnerian English witchcraft will find a lot to recognise as well. At 194 pages it’s a short read and a pleasurable one, and a fine introduction to Winterson’s work for a Pagan audience.
This piece first appeared in Volume 3, Issue 5 (Imbolc 2016) of our old newsletter, Spokes of the Wheel.
This month, we sunk our teeth into some witchy classics, as well as princes, werewolves and farming. We’re an eclectic bunch, really.
A seminal text in the development of the modern traditional European tradition and interest in the occult, Mastering Witchcraft is a comprehensive step-by-step guide to a range of useful tools and techniques with some ceremonial magic influences.
Although much of the information isn’t sourced and some of the content may be ethically disagreeable to a few readers, it is nonetheless candid, engaging and easy to follow.
At first some information might seem too outdated to be useful, but a surprising amount of substances such ‘roman vitriol’ (copper sulphate) can actually be found at your local hardware store.
A classic well worth reading for the serious beginner and experienced practitioner alike.
When I was a child I was obsessed with reading supernatural horror stories and the creature that would always capture my attention was the Werewolf; humans who change into animal form through magic and the lust of the flesh of other humans. The Book of Werewolves is the classic work on the lycanthrope and is jam-packed with curious folkloric accounts of murder, cannibalism, superstition and magic and contains all the classic tropes that the Werewolf is now known for.
Sabine Baring-Gould was a Priest and the book was first published in 1865 and rather than believe these accounts are genuine cases of magic, he believes that Werewolf accounts are caused by mental illness which was a enlightened view for a Priest to have at the time.
These two books, written from the 60s to the 80s and published by Llewellyn, are the work of an author more well-known for her poetry and works for children than her witchcraft; in fact, ‘mainstream’ reviews of these two of Worth’s books describe them as fanciful and whimsical works of fiction, written in the style of a bygone era.
Worth, born in 1933 in Pennsylvania, wrote prolifically, and published ten collections of poetry and three books for young people, as well as the two reviewed here. In 1991 she was given the Award for Excellence in Poetry for Children by the National Council of Teachers of English.
The Crone’s Book of Wisdom is a collection of spells, charms and rituals of magic and magical practice. Worth had interests in astronomy, herbal lore, and talismans, and the Book of Wisdom deals with all of these in an envisioning of the Craft which is not situated within any particular tradition (though it contains aspects which will be familiar to those with interests in Traditional and folkloric witchcraft, Wicca/Wiccanate NeoPaganism, and Ceremonial Magick).
– The Materials of Wisdom, which covers basic plant lore, working tools, robes, balms and tinctures, etc.
– Inscriptions of Power, in which Worth explores the creation and inscription of amulets and talismans,
– Thrice A Dozen Charms – a collection of spells for everything from binding an enemy, to procuring the moon’s aid, gaining immortality, winning love and affection, reveal truth, and break troublesome habits. Her instructions and correspondences are meticulous, and her incantations read beautifully in a combination of Latin and antiquated poetical verses.
– Ceremonies for the Year: twelve rituals for various times of the year, some of which correspond to the eightfold Wheel of the Year, and some which are lunar celebrations.
The Crone’s Book of Words is a collection of poetical spells and incantations. In Worth’s own words from her introduction:
“This book arises from certain premises: that words themselves are a means to emotional control over exterior phenomena; that magic today is the same weapon that it was, even though we lay hands on it in a new spirit, even though we are uncertain of its uses and wield it unwittingly or even unwillingly; that all rituals, ancient and new, spring from the same vision of a possible order to life, an order that heals and reconciles effectively by its very roots in mental process. The rituals, or spells, or poems – and these names can all stand for the same thing – that are set down here deal with aspects of experience at once too simple and too complex for any other approach.”
Worth’s writing is lovely and evocative; the charms and rituals are a pleasure to read, or to inspire a tone for crafting your own.
“White as an eggshell,
White as a bone,
White as chalk
Or the milk of the moon,
Is the written word
Of the ancient Crone,
Who works by wind,
Sun, water, and stone.”
This book is a delight for those that want to live a little bit more sustainably and independently. While not everything in this book is going to work for everyone there is a lot of great information to be had.
The chapter on poultry was a delight as someone who keeps chickens in their yard it was full of nifty tips. While the ideal scale that is aimed at in this book is for properties larger than your standard block, the principals are sound and there are plenty of ideas that could be scaled back or adapted to a suburban property.
The language is friendly and accessible in this book and doesn’t hide behind pretentious subtext. The author wants us to succeed, and that is clear in the way they communicate ideas and structure the book.
This one was recommended by a fellow dabbler in Queer fiction. I was drawn to it because the author is a Melbournian and hey, Queer fantasy. This is the first in a trilogy about the former prince Damen who, after getting betrayed by his brother, is sold into slavery to a neighbouring royal family. Damen is soon entangled in the intricacies of court politics and a play for the throne.
I found muscular, clever, brave and selfless Damen to be something of a Mary-Sue, but his new master Prince Laurent is like a handsome grown-up Draco Malfoy, but twenty times as vicious.
While quite graphic in places, Captive Prince was a good escape. For extra fun, get the Audible version read by the rather pervy Stephen Bel Davies.
Take a peek and what your intrepid PCV committee have been nerding out on this month.
Animism: Respecting the Living World by Graham Harvey
An interesting work that examines what animism is and how it plays a part in the lives of people and how they interact with the world around them.
Harvey explores the different definitions of animism, both positive and negative to help establish a brief history of the word and its usage before he delves into the pagan and new age views of animism.
He also spends quite a bit of time explaining why it is important to use the word animism instead of seeking a new title for it. In a nutshell to reclaim what he outlines as a mostly negative connotation associated with the word.
He does explore animism in several indigenous cultures around the world as well as those in the pagan paths, it makes for some interesting reading and at 212 pages is an accessible length exploration.
Circlework by Shan/House of the Goddess
I was lucky enough to find this in a secondhand bookshop recently. It’s one of the older books on pagan practice, published in 1987 by House of the Goddess in the UK, and it’s a lovely zine-style book, typed (rather than typeset), with the page numbers and chapter-headings hand-written, and lovely hand-drawn illustrations throughout. I’ll confess right now to an absolute weakness for publications like this, so I snaffled it up with barely a flip-through because it felt nice to hold.
It turns out this was a good decision, because it’s a beautiful book, written in a warm, informal, encouraging voice, with gentle, practical humour and a twinkle in the eye, as well as sound and meaningful ritual advice. It’s a beginners’ book, so don’t expect to go summoning the Elder Gods afterwards (because, you know, that’s what *all* the Advanced Paganism For Fancy Witches books teach you, right?); it’s more like a lovely one-on-one chat with a knowledgeable, wise, and understanding High Priestess. Honestly, I think every pagan’s library needs a few books like this and it’s a shame this one is kind of hard to find. If you can get your hands on a copy of this, do. It’s a valuable piece of Craft history, and it contains things like these “other examples of Pagan Law”:
Medusa: Solving the Mystery of the Gorgon by Stephen R Wilk
This book is written in an accessible, conversational style, and like many conversations the author frequently goes off on odd tangents. These tangents are fortunately interesting and likewise entertaining, but they are substantially numerous.
Although the evolutionary path of myths is explored, it’s still a fairly dry, academic text which doesn’t delve far into speculation about meaning or cultural significance.
Well researched and mindful of the notorious fallibility of some ancient sources, it’s a thorough exploration of an enduring myth which continues to abound in popular culture today.
Secret Places of the Goddess: Contacting the Earth Spirit by Philip Heselton
This is a lovely meditation on finding sacred and magical spaces in nature. Heselton, author of the recent, excellent biography of Doreen Valiente, walks us through some of the sacred spaces of his homeland, whilst exploring the history and nature of sacredness in the landscape, how to engage with sacred space, how to take from them and how to give back to them. He explores woods, glades and groves, streams, springs and the sea, hills, boundaries, liminal spaces. He devotes chapters to the different times of day, the wheel of the year, how we experience nature through our senses, how to cast a circle outside, how to tend and care for sacred spaces.
The text is peppered throughout with well-chosen and evocative quotations from other authors, both pagan and literary; far from being simply a “how-to” book, this is a love-song to Nature and to the connection to the divine that we find when we open ourselves to Her. It is both personal and instructive, and while it is UK-centric, Heselton’s approaches and philosophies are all applicable to interactions with our local landscapes. This is a book I will keep coming back to; it’s rich and profound and a pleasure to read.
Small Gods by Terry Pratchett
I was really underwhelmed by the recent TV adaptation of Neil Gaiman’s classic, American Gods, so last month I decided to revisit the novel itself, along with several others of a similar ilk.
Small Gods is one of the lesser known, lesser appreciated standalone Discworld novels. It tells the story of the acolyte Brutha and his adventures with the great god Om, whose power has dwindled so much due to lack of belief that he has been reduced to the form of a cantankerous one-eyed tortoise.
At surface level, this novel is an excellent parody of mainstream religions. Going deeper, I love the discussion of the nature of belief, religion and the gods themselves that Small Gods, along with Gaiman’s American Gods and the Pratchett/Gaiman masterpiece Good Omens, welcomes. That it’s done in Pratchett’s usual quick-fire, cerebral style is an added bonus.
Reviewed by Ryan McLeod
It’s a strange experience discovering a God or Goddess that is unfamiliar to you for the first time.
You may have come across them in a classical painting, a reference in a poem or a book on mythology it catches your imagination or has a spark of recognition. It encourage to find out more and search through obscure references books looking for the earliest of references and may even push you further explore the culture or history of the people that originally worshipped your new God. And that’s why it’s been such a pleasure to review Daughter of the Sun – A Devotional Anthology in Honor of Sekhmet.
Sekhmet is a Goddess I really knew very little about. The joy of this anthology is the diverse views and perspectives on the Goddess that that paints a such a vivid picture. Tina Georgitsis has done a stellar effort here as editor of this anthology consisting of such a diverse range of material this book is full of exciting stories, beautiful poetry and wonderful art. We are introduced to Sekhmet; A Goddess of the ancient Egypt pantheon. Sekhmet is a Goddess of many facets: Avatar of justice, warrior, healer, hunter and mother. You’ll will learn so much about the character of this Goddess throughout this anthology.
This book is filled with poetic inspiration and vividly paints a picture of Sekmet very much alive and radiating with power thousands of years later after the fall of Ancient Egypt. I thoroughly recommend you get copy Daughter of the Sun if you are familiar with Sekhmet you will find it an invaluable resource. If you are just learning about this Goddess for the first time like I am, it is a wonderful introduction.
This review first appeared in Volume 3, Issue 5 (Imbolc 2016) of our old newsletter, Spokes of the Wheel.
This month we thought we’d share some of our finds from the 2017 Clunes Booktown Festival and elsewhere. There will probably be more detailed reviews of some of these in coming editions of Committee Reads, but for now take a peek at the most recent editions to our reading piles…
Animism: Respecting the Living World by Graham Harvey – This book came highly recommended by members of the community, so I caved and purchased a copy.
Asimov’s New Guide to Science by Isaac Asimov – Asimov is a freaking genius and this was $2.
Fight Like a Girl by Clementine Ford – Got this signed by Clementine Ford, reason enough.
Pagan Consent Culture: Building Communities of Empathy and Autonomy, edited by Christine Hoff Kraemer and Yvonne Aburrow – This is a recent release, and in the light of the recent discussions on community safety and consent in occult and pagan practice, it seems like a very interesting read, exploring different traditions’ philosophies of consent, as well as sexual initiation, community responses to abuse, education of children, mental health issues, and much more. It clocks in at over 500 pages and was very reasonably priced for all that. I’ve enjoyed co-editor Aburrow’s previous books, so this seemed like a must-read.
Here’s an excerpt from the introduction, to give you an overview of the contents:
“We have divided this anthology into three parts. In ‘Developing Pagan Philosophies of Consent’, the reader will find both tradition-specific and personal approaches to consent-based ethics. These essays show how Pagan lore and liturgy shape our writers’ understandings of consent, as well as how their ideals translate into real-world practice. Writers also tackle complex issues such as consent in a power differential, the ethics of sexual initiation, negotiating rape culture in traditional myths, and understanding sexual relationships with the gods.
Section Two, ‘Responding to Abuse and Assault’, focuses on the narratives and needs of survivors. In addition to personal narratives of abuse and healing, writers examine the kinds of situations that can hide abuse, as well as the circumstances under which whistleblowers may be disbelieved or ignored. These essays outline policies to help prevent sexual abuse and assault and to effectively respond to it when it occurs, as well as considering how abuse survivors might be better accommodated in community.
Finally, in ‘Building Communities of Autonomy and Empathy’, our writers provide resources for teaching and practicing consent culture. These essays include reflections on consent culture parenting, curricula and exercises for children and adults, practices for sacralising pleasurable touch in both groups and on an everyday basis, ethical approaches to teaching sacred sexuality and sex magick, and more.”
Pagan Rituals: Scripts and Inspiration for All Occasions by Willow Polson – In recent times it seems I’ve become a collector naff books of ritual. I am oddly okay with this.
Seed Collection of Australian Native Plants by Murray Ralph – This was essential.
The Art of Urban Sketching by Gabriel Campanario – I’ve always been a fan of this style of sketching and wanted to understand the principals better so this was an easy choice.
The Kabbalah Tree by Rachel Pollack – An introduction to the Tree of Life and the Sephiroth, by the author of ‘Seventy-Eight Degrees of Wisdom’, and featuring art by Hermann Haindl. I’m not a serious student of Kabbalistic philosophy, but it is fascinating and profound, and this seems to be a decent exploration for someone with no background in the culture or philosophy.
Walking a Sacred Path by Dr Lauren Artress – This was a second-hand cheapie, and I’m wondering if it’s going to be a bit naff, but it has decent reviews from respectable publications, and I thought it might be worth a go, because labyrinths are interesting, ey.
A Wizard of Earthsea by Ursula K Le Guin – This was another $1 Booktown bargain find. I bought it for my friend Kylie, who has been wanting to read the series for a while. I just love the eighties cover art.
Bottersnikes and Gumbles by S A Wakefield – Although I’ve been a fan for a long time, this edition has illustrations in it that my other edition did not.
Palimpsest and Deathless by Catherynne Valente – I bowed to peer pressure after a brilliant blog post by a friend, the constant rave reviews by people whose tastes I trust, and a song by SJ Tucker that made me cry. I’m almost scared to actually read them in case I can’t leave the house for days and can’t work because I’m lost in Valente’s worlds, but hey, I can always get another job, right?
Saltwater Vampires by Kirsty Eagar – I normally couldn’t give a toss about vampire fiction, being of the firmly-held belief that it reached its peak with Buffy the Vampire Slayer. But with tales of vampires born from the wreck of the Batavia crashing a modern-day Australian music festival, I found it hard to turn this one down.
The Bards of Bone Plain by Patricia A McKillip – This one was a gift from a friend this month. So far it’s strong, rich fantasy full of archeology and lyrical descriptions. Just my bag.
The Buried Giant by Kazuo Ishiguro – The author of the marvellous ‘Remains of the Day’ has set a novel in just-post-Arthurian Britain, featuring at least one knight of the Round Table. What’s not to love?
The Chosen by J R Ward – I bought this because I’m obsessed with the Black Dagger Brotherhood and this is the latest book in the series. BDB are one of my guilty pleasures. 😉
The Dark is Rising by Susan Cooper – I picked this up for $1 at Booktown. It was a great bargain and an edition/cover I hadn’t seen before.